KATHERINE LEE (HK/UK)
Heaven in spiritual Darkness (10'30" - 2024)

MARIO MARY (AR/FR)
Pedro en su laberinto (10'10" - 2023)

SARA MONTAGNI (IT)
LT (9'58" - 2025)

KATHERINE LEE (HK/UK) Heaven in spiritual Darkness (2024)
In Buddhism, a Dedicatory Verse is a chant of dedication that offers positive blessings to those we pray for. It is recited 7 times or 49 times for each prayer, as these numbers hold profound significance, symbolising cycles of transformation and renewal. Typically, Buddhist prayers are warm and uplifting, radiating light and positivity. But what if we pray in the dark? We hope; we despair. We chase; we lose. We break; we heal. We believe; we are betrayed. We vanish. We rest in peace. We lose ourselves in the dark and the light.

MARIO MARY (AR/FR) Pedro en su laberinto (2023)
Pedro en su laberinto (Peter in his labyrinth) Electroacoustic work on 8 channels - 10' – 2023 Distinction CIME 2023 (Grèce) Dedicated to my father. This composition is a proposal with a high density of sound materials and few breaths. The work displays an indefatigable energy through an articulate and vital polyphonic discourse. The multiple trajectories and sound planes generate a rich and changing acoustic space around the listener. All this complexity could be linked to   life itself, in which, without realizing it, we progressively create our own labyrinths and the terrains where our deepest joys and conflicts develop.

SARA MONTAGNI (IT) LT (2025)
LT is a sonic journey through experiences, inner landscapes, and playful memories shaping my path. Sound materials evoke travels, places, and childhood games—fragments of past and present woven into an electroacoustic tapestry rich with echoes and transformations. Footsteps, rustlings, voices, manipulated objects: each sound serves as testimony and symbol, real yet transfigured. Gestures, spaces, and games intertwine with broader sonic visions, marking stages along an evolving trajectory. Materials oscillate between reality's echoes and memory's dreamlike matter. Without clear temporal boundaries, the work invites traversing invisible paths between what has been and what remains imaginable.